Taxi Driver - Wikipedia. Taxi Driver is a 1. American vigilante film. Set in New York City following the Vietnam War, the film stars Robert De Niro, and features Jodie Foster, Harvey Keitel, Cybill Shepherd, Peter Boyle, and Albert Brooks. Nominated for four Academy Awards, including Best Picture, Taxi Driver won the Palme d'Or at the 1. ![]() ![]() Taxi Driver is a 1976 American vigilante film with neo-noir and psychological thriller elements, directed by Martin Scorsese and written by Paul Schrader.![]() Cannes Film Festival. It is regularly cited by critics, film directors, and audiences alike as one of the greatest films of all time. In 2. 01. 2, Sight & Sound named it the 3. The Godfather Part II, and the fifth- greatest film of all time on its directors' poll. The film was considered . Marine, is a lonely, depressed young man living on his own in New York City. He becomes a taxi driver to cope with his chronic insomnia, driving passengers every night around the city's boroughs. He also spends time in seedy porn theaters and keeps a diary. Taxi Cab Electronics, Toplights with screw-down or magnetic bases, with standard bulbs or LEDs, Taximeters, the 4 best brands, Wireless Credit Card. Mature Lady Adores When People Watch Her Take A Deep Drilling. 05:01 / WinPorn. Taxi is an American sitcom that originally aired on ABC from September 12, 1978 to May 6, 1982 and on NBC from September 30, 1982 to June 15, 1983. A mentally unstable Vietnam War veteran works as a night-time taxi driver in New York City where the perceived decadence and sleaze feeds his urge for violent action. Travis becomes infatuated with Betsy, a campaign volunteer for Senator and presidential candidate Charles Palantine. After watching her interact with fellow worker Tom through her window, Travis enters to volunteer as a pretext to talk to her, and takes her out for coffee. On a later date, he takes her to see a pornographic film, which offends her, and she goes home alone. His attempts at reconciliation by sending flowers are rebuffed, so he berates her at the campaign office, before being kicked out by Tom. Travis confides in fellow taxi driver Wizard about his thoughts, which are beginning to turn violent; however, Wizard assures him that he will be fine, leaving Travis to his own destructive path. Travis is disgusted by the sleaze, dysfunction, and prostitution that he witnesses throughout the city, and attempts to find an outlet for his frustrations by beginning a program of intense physical training. A fellow taxi driver refers Travis to illegal gun dealer, Easy Andy, from whom he buys a number of handguns. At home, Travis practices drawing his weapons and constructs a sleeve gun to hide and then quickly deploy a gun from his sleeve. One night, Travis enters a convenience store moments before an attempted armed robbery and he shoots and kills the robber. The shop owner takes responsibility for the shooting, taking Travis' handgun. Earlier, child prostitute Iris had entered Travis's cab, attempting to escape her pimp Matthew . Sport dragged Iris from the cab and threw Travis a crumpled twenty- dollar bill, which continually reminds him of her and the corruption that surrounds him. Some time later, Travis hires Iris, but instead of having sex with her, attempts to dissuade her from continuing in prostitution. He fails to completely turn her from her course, but she does agree to meet with him for breakfast the next day. Travis leaves a letter to Iris at his apartment saying he will soon be dead, with money for her to return home. After shaving his head into a mohawk, Travis attends a public rally where he plans to assassinate Senator Palantine, but Secret Service agents notice him with his hand in his coat and chase him. He flees and later goes to the East Village to invade Sport's brothel. A violent gunfight ensues and Travis kills Sport, a bouncer, and a mafioso. Travis is severely injured with multiple gunshot wounds. Iris witnesses the fight and is hysterical with fear, pleading with Travis to stop the killing. After the gunfight, Travis attempts suicide, but has run out of ammunition and resigns himself to lying on a sofa until police arrive. When they do, he places his index finger against his temple gesturing the act of shooting himself. Travis, having recovered from his wounds and returned to work, finds himself praised by favorable press reports for hitting the bad guys. He has also received a letter from Iris's father thanking him for saving her life and revealing that she has returned home to Pittsburgh, where she is going to school. Later, he also reconciles with Betsy when dropping her off at her home in his cab. As she tries to pay her fare, Travis simply smiles at her, turns off the meter, and drives off. Production. In Scorsese on Scorsese, the director talks about how much of the film arose from his feeling that movies are like dreams or drug- induced reveries. He admits attempting to incubate within the viewer the feeling of being in a limbo state somewhere between sleeping and waking. He calls Travis an . Scorsese calls attention to improvisation in the film, such as in the scene between De Niro and Cybill Shepherd in the coffee shop. The director also cites Alfred Hitchcock's The Wrong Man and Jack Hazan's A Bigger Splash as inspirations for his camerawork in the movie. Bickle attempts to kill himself near the end of the movie as a tribute to the samurai's . To achieve the atmospheric scenes in Bickle's cab, the sound men would get in the trunk and Scorsese and his cinematographer, Michael Chapman, would ensconce themselves on the back seat floor and use available light to shoot. Chapman admitted the filming style was greatly influenced by Nouvelle Vague filmmaker Jean- Luc Godard and his cinematographer Raoul Coutard due to the fact the crew didn't have the time nor the money to do . The writer also used himself as inspiration; prior to writing the screenplay, Schrader was in a lonely and alienated position, much like Bickle is. Following a divorce and a breakup with a live- in girlfriend, he spent a few weeks living in his car. He wrote the script in under a month while staying in his former girlfriend's apartment while she was away. Schrader decided to make Bickle a Vietnam vet because the national trauma of the war seemed to blend perfectly with Bickle's paranoid psychosis, making his experiences after the war more intense and threatening. Thus, Bickle chooses to drive his taxi anywhere in the city as a way to feed his hate. According to Boyle, he would . De Niro apparently lost 3. Arthur Bremer. When he had time off from shooting 1. De Niro visited an army base in Northern Italy and tape- recorded soldiers from the Midwestern United States, whose accents he thought might be appropriate for Travis's character. When Bickle decides to assassinate Senator Palantine, he cuts his hair into a Mohawk. This detail was suggested by actor Victor Magnotta, a friend of Scorsese's who had a small role as a Secret Service agent and who had served in Vietnam. Scorsese later noted, . They cut their hair in a certain way; looked like a Mohawk .. Scorsese considered Melanie Griffith, Linda Blair, Bo Derek, and Carrie Fisher for the role. A newcomer, Mariel Hemingway, auditioned for the role but turned it down due to pressure from her family. After the other actresses turned down the role as well, Foster, an experienced child actor, was chosen. In the original draft, Schrader had written the role of Sport as a black man. There were also additions of other negative black roles. Scorsese believed that this would give the film an overly racist subtext, so they were changed to white roles. The Terminal Bar was featured in a scene in the film. Robert Barnett of Music. Web International has said that it contrasts deep, sleazy noises, representing the . Barnett also observes that the opposing noises in the soundtrack—gritty little harp figures, hard as shards of steel, as well as a jazz drum kit placing the drama in the city—are indicative of loneliness in the midst of mobs of people. Deep brass and woodwinds are also evident. Barnett heard in the drumbeat a wild- eyed martial air charting the pressure on Bickle, who is increasingly oppressed by the corruption around him, and that the harp, drum, and saxophone play significant roles in the music. It also features album notes by director Martin Scorsese, as well as full documentation for the tracks, linking them in great detail to individual takes. The B- side (tracks 1. CD) was dedicated to jazz . None of these recordings appeared in the film. In the special- edition DVD, Michael Chapman, the film's cinematographer, regrets the decision and the fact that no print with the unmuted colors exists anymore, as the originals had long since deteriorated. Some critics showed concern over 1. Foster's presence during the climactic shoot- out. Foster said that she was present during the setup and staging of the special effects used during the scene; the entire process was explained and demonstrated for her, step by step. Moreover, Foster said, she was fascinated and entertained by the behind- the- scenes preparation that went into the scene. In addition, before being given the part, Foster was subjected to psychological testing to ensure that she would not be emotionally scarred by her role, in accordance with California Labor Board requirements. The Filmmakers. John Hinckley Jr. His attorney concluded his defense by playing the movie for the jury. Themes and interpretations. Is this a fantasy scene? Did Travis survive the shoot- out? Are we experiencing his dying thoughts? Can the sequence be accepted as literally true? I am not sure there can be an answer to these questions. The end sequence plays like music, not drama: It completes the story on an emotional, not a literal, level. We end not on carnage but on redemption, which is the goal of so many of Scorsese's characters. Steeped in irony, the five- minute epilogue underscores the vagaries of fate. The media builds Bickle into a hero, when, had he been a little quicker drawing his gun against Senator Palantine, he would have been reviled as an assassin. As the film closes, the misanthrope has been embraced as the model citizen—someone who takes on pimps, drug dealers, and mobsters to save one little girl. He admits that the last scene of Bickle glancing at an unseen object implies that Bickle might fall into rage and recklessness in the future, and he is like . Scorsese wanted to look away from Travis's rejection; we almost want to look away from his life. But he's there, all right, and he's suffering. Taxi Driver (1. 97. IMDb. Edit. Travis Bickle is an ex- Marine and Vietnam War veteran living in New York City. As he suffers from insomnia, he spends his time working as a taxi driver at night, watching porn movies at seedy cinemas during the day, or thinking about how the world, New York in particular, has deteriorated into a cesspool. He's a loner who has strong opinions about what is right and wrong with mankind. For him, the one bright spot in New York humanity is Betsy, a worker on the presidential nomination campaign of Senator Charles Palantine. He becomes obsessed with her. After an incident with her, he believes he has to do whatever he needs to make the world a better place in his opinion. One of his priorities is to be the savior for Iris, a twelve- year- old runaway and prostitute who he believes wants out of the profession and under the thumb of her pimp and lover Matthew.
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